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A complex and scholarly analysis of Bill Traylor’s work emphasizing many elements overlooked in past discussions. In addition to African symbols, Traylor added images of the secret Black Protest Movement to his work. They are recognizable now and we see that art was his manifesto. By Mechal Sobel. Baton Rouge: Louisiana State University Press, 2009. 198 pages, 34 color plates (unpaginated), hardcover, 9 x 6 in.
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